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Services

We make the records. We break the records.

What we do.

Production, songwriting, remixes, publishing, campaigns, club promotion, management, television and brands, from one team in London. Every service shows the records behind it, and every record links to its source.

  1. 01Music productionRecords from the first idea to the finished master, for pop and for the club.
  2. 02SongwritingSongs for artists in the UK, the US, Japan, Korea and China.
  3. 03RemixesClub remixes from our own remix teams, exclusive to Audiofreaks.
  4. 04PublishingGalactic Music, with Peermusic: songs placed with artists in the UK and Asia.
  5. 05International campaignsMarketing and promotion campaigns that take a release to an international audience.
  6. 06Global DJ and club promotionClub promotion that puts a record in DJs’ hands and on the club charts.
  7. 07Artist and talent managementLong-term artist development and management.
  8. 08Music direction for televisionMusic directors, title music and series music for TV networks.
  9. 09BrandsBrand-to-music strategy and music campaigns for brands.

Music production

We specialise in Western and Asian pop, and in club records. Book a recording session with one of our production teams, or bring us an idea and we will take it to the finished record.

  • Production and co-production
  • Recording sessions in our studios
  • Vocal production
  • Mixing and mastering, with Dale Askew as head mixing engineer
  • A&R and production consultancy

Who does it

Enquiries are handled by Dale Askew.

Start a production enquiry

Songwriting

Our writers work in our studios and at songwriting camps in Korea and Japan, writing for pop and dance artists, for television and for musicals.

  • Songs written to a brief, or pitched from the catalogue
  • Top lines and co-writes with your producers
  • Songwriting camps in Korea and Japan
  • Writing for television and stage

Who does it

Enquiries are handled by Dale Askew.

Ask about a song

Remixes

Hire one of the remix teams on our club roster for a single, an album campaign or a re-release.

  • Club and radio remixes
  • Remix packages for a release

Club remix roster

SoulshakerDasco2 Sub DudeJourney By A DJNo StrangersTears In Paradise

Who does it

Enquiries are handled by Dale Askew.

Hire a remix team

Publishing

Galactic Music, our publishing company, works with Peermusic worldwide and with partners in Japan, Korea and China. If you would like us to publish your song, tell us about it.

  • Song publishing and administration
  • Placing songs with artists in Japan, Korea and China

Publishing partners

  • Universal Music JapanPublishing co-representation, Japan
  • PeermusicPublishing, worldwide
  • NichionPublishing, Japan
  • MarcanEntPublishing, Korea
  • Number KPublishing, China

Who does it

Enquiries are handled by Roxanne Woodcock.

Start a publishing enquiry

International campaigns

It is no secret that succeeding as an artist today is hard. However talented the artist, the odds are against them, because of the sheer volume of music released every day. Finding a way to get ahead of the crowd is key.

Audiofreaks has developed a platform to give you and your project that advantage. It uses a strategy built over decades of work with artists at every level to take your music and your artist brand to an international audience. Roxanne Woodcock has overseen more than fifty of these international 360-degree single campaigns.

  • International marketing campaigns
  • Single promotion campaigns, territory by territory
  • Licensing and territory deals
  • Remixes and club promotion as part of the campaign

Who does it

Enquiries are handled by Matt Meyers.

Plan a campaign

Global DJ and club promotion

We take records to DJs and to the club charts: the Music Week Upfront Club and Commercial Club charts, DMC and the rest.

  • DJ mailouts and club promotion
  • Club chart campaigns
  • Remixes made for the club

Who does it

Enquiries are handled by Matt Meyers.

Promote a record

Campaigns in practice

Two campaigns, stage by stage.

A campaign usually runs for four to six months. Once licensing starts, territory by territory, we often stay with the record for a year or more.

The client hears the DJ feedback at every stage.

Sleeve: Bonnie Anderson, The Ones I Love

Case study 1 · 2016

Bonnie AndersonThe Ones I Love

Client: Sony Music Australia and Ralph Carr Management (RCM)

  • No. 1 Billboard Breakout · US · 2016
  • No. 1 International Net Radio Chart · International
  • No. 2 Music Week Club · UK
  • No. 3 Music Week Pop · UK

Sources: The Meyers Bros: chart archive · the record in Work

  1. Stage 1Global strategy

    Bonnie Anderson won Australia’s Got Talent at 12 and was signed by Ralph Carr Management, who put her on a long-term development plan rather than the instant-pop-star route. She went on to sign with Sony Music Australia. RCM and Sony then asked Audiofreaks to build the international strategy around her next single, The Ones I Love.

  2. Stage 2The package

    The original, tropical house meets pop, was built for commercial dance floors and crossover radio. We added remixes to reach every kind of DJ: a classic house mix from Soulshaker, a cooler take from Dasco, a trance version from Alinari and an electro crossover mix from the Dutch producer Diamm.

  3. Stage 3Promotion

    A four-week exclusive went first to tastemaker DJs and bloggers, then to specialist DJs, then to mainstream DJs, with promotion partners in specific territories alongside our own team. Perez Hilton featured the record, and it had FM and internet radio support across the US, Canada, Europe, Japan and Australia.

  4. Stage 4Collation

    The reactions, mixes and results went into an electronic press kit, sent to our licensing partners around the world, and used by Bonnie’s management and booking agents to secure live shows.

  5. Stage 5Licensing

    The single was signed to labels in each territory.

    • Saifam MusicItaly
    • Clippers SoundsSpain
    • Sounds UnitedGermany, Austria, Switzerland
    • Sony MusicAustralia
    • David Gresham RecordsSouth Africa
    • Camey Records / KontorBenelux
    • Radikal RecordsUSA and Canada
    • Lifted House / Sony MusicScandinavia
    • Nu Age MusicPoland
    • Musica CalienteIsrael

The remixes

SoulshakerDascoAlinariDiamm

DJ support included

Tiësto, Erick Morillo, Luciano, Marco Carola, Gregor Salto, Victor Sanchez, Niki Belucci, Jesse Garcia, Armine Edge.

The full case study, in the brochure

Sleeve: Honeyz, Definitely Something

Case study 2 · 2015

HoneyzDefinitely Something

Client: The Honeyz, independent, released on Freaktone

  • No. 1 Music Week Commercial Pop · UK · August 2015
  • No. 1 Kings of Spins · UK
  • No. 3 Music Week Upfront Club · UK

Sources: The Meyers Bros: chart archive · the record in Work

  1. Stage 1Writing the record

    The Honeyz had Top 10 hits in the 1990s and came back to television in ITV2’s The Big Reunion, which Audiofreaks worked on. They needed a new single that was cool with crossover potential. With Soulshaker and Audiofreaks writer Jenna Donnelly, at Audiofreaks Studios, they wrote and recorded Definitely Something.

  2. Stage 2The package

    The original was a classic house record. Dasco made a mix for the specialist DJs, So Cool Network one for the coolest clubs, Mob Culture one for UK dance floors with the Music Week charts in mind, and Bassmonkeys and Soulshaker with Jenna Donnelly added their own club mixes.

  3. Stage 3Promotion

    A three-week exclusive went to tastemaker DJs first. With their support in place, the record went to specialist DJs, then to over 2,000 commercial club DJs, and to FM and internet radio in the US, the UK and across Europe, with promotion partners in specific territories alongside our own team.

  4. Stage 4Collation

    The reactions, mixes and chart results went into an electronic press kit for our licensing partners, and the Honeyz and their booking agents used it to secure live shows.

  5. Stage 5Licensing

    The single was signed to labels in each territory and appeared on international compilation albums.

    • Saifam MusicItaly
    • Blanco y NegroSpain
    • Sounds UnitedGermany, Austria, Switzerland
    • Cricket Hill MusicBenelux
    • Nu Age MusicPoland
    • Friday Fox RecordingsUK
    • Freaktone RecordsUK

The remixes

DascoSo Cool NetworkMob CultureBassmonkeysSoulshaker & Jenna Donnelly

DJ support included

Stonebridge, Gareth Emery, Above & Beyond, Ferry Corsten, Erick Morillo, Armine Edge, Judge Jules, Fatboy Slim, Pete Tong, Sergio Matina.

Can’t believe it, so happy. Thanks for everything, I know you guys have been working really hard to get the record up there …
The Honeyz

The full case study, in the brochure

Artist and talent management

We manage artists for the long term, from development to release, with Chris Herbert on the team. Allegra is one of them.

  • Artist development
  • Artist and producer management
  • Collaborations, features and remixers
  • Release planning

Who does it

Enquiries are handled by Matt Meyers.

Talk about management

Music direction for television

We work as music directors and music producers for television, and make title music, stings and series music for networks and production companies.

  • Music direction and music production for series
  • Title music and stings
  • Series music and performance backing tracks

Who does it

Enquiries are handled by Matt Meyers.

Talk about a show

Brands

We work with brands on their music: strategy, campaigns and the records that go with them.

  • Brand-to-music strategy
  • Music campaigns for brands
  • Artist partnerships

Who does it

Enquiries are handled by Matt Meyers.

Talk about a brand

Brochure

How a campaign works.

How a campaign runs, from production and remixes to promotion, licensing and release, with two campaigns told stage by stage: Bonnie Anderson’s The Ones I Love (Sony Music / RCM) and the Honeyz’ Definitely Something.

PDF · 37 pages · 4.7 MB

Download our brochure

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Services as published on audiofreaksmusic.com, the company’s own account.